Universal Access To All Knowledge
Home Donate | Store | Blog | FAQ | Jobs | Volunteer Positions | Contact | Bios | Forums | Projects | Terms, Privacy, & Copyright
Search: Advanced Search
Anonymous User (login or join us)
Upload

Reply to this post | See parent post | Go Back
View Post [edit]

Poster: unclejohn52 Date: Jul 21, 2011 11:04am
Forum: GratefulDead Subject: Re: TDIH 1974

wow... for me this is kind of an "aha" moment. As a rank amateur musician (hand me my old guitar) I've naturally been curious how so many of these combinations work, and unlocking them is a wonderful thing.

I agree that JG's statement about the blues in E is ironic- when you push past all the songs they did in G-C-D or C-F-G, a great many center around very similar riffs in E as you mentioned - wouldn't these also include Don't Ease, Althea, Brown-Eyed Women and others. (edit - also New Speedway Boogie, New Minglewood Blues...)

I don't know about everyone else - but I love these musical discussions (esp. words like "tonicization". Much gratitude for your posts.

This post was modified by unclejohn52 on 2011-07-21 18:04:56

Reply to this post
Reply [edit]

Poster: wisconsindead Date: Jul 21, 2011 12:37pm
Forum: GratefulDead Subject: Re: TDIH 1974

i agree. I just wish I knew what they meant. I've been meaning to learn music but I just never get around to it. It would definitely clarify more of whats going on, but its all so cosmic that maybe im better in my nebula.

Terms of Use (10 Mar 2001)